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Introduction

My first introduction to the haunting melody of “Devil Woman” came from my grandfather, a lifelong country music fan. His worn-out vinyl record of Marty Robbins’ greatest hits played endlessly on his old turntable, each song etching itself into my memory. Among them, “Devil Woman” stood out with its dark lyrics and captivating rhythm, a testament to the storytelling prowess of Marty Robbins.

About The Composition

  • Title: Devil Woman
  • Composer: Marty Robbins
  • Premiere Date: 1962
  • Album/Opus/Collection: Devil Woman
  • Genre: Country, Country-pop ballad

Background

“Devil Woman” was written and performed by the legendary American country singer-songwriter Marty Robbins. Released in 1962, it quickly rose to the top of the country charts and even crossed over to the pop charts, showcasing Robbins’ ability to weave captivating stories through his music. The song was inspired by Robbins’ fascination with the femme fatale archetype, a woman who uses her charm and allure to bring about a man’s downfall.

Initially, “Devil Woman” was met with mixed reviews. Some critics found its theme and lyrics too dark for the typical country music audience, while others praised its unique blend of country and pop elements. Despite this, the song’s popularity solidified its place as one of Robbins’ signature tunes and a classic in the country music repertoire.

Musical Style

“Devil Woman” is a slow tempo ballad, characterized by its haunting melody and Robbins’ distinctive baritone vocals. The instrumentation includes acoustic and electric guitars, bass, drums, and backing vocals, creating a rich and atmospheric sound. The song’s structure follows a traditional verse-chorus format with a bridge, building tension and emotion through its gradual crescendo. Robbins’ masterful storytelling shines through in his emotive delivery, painting a vivid picture of a man captivated and ultimately destroyed by a woman’s love.

Lyrics/Libretto

The lyrics of “Devil Woman” narrate the tale of a man ensnared by a woman with “eyes that burn like fire.” He recognizes her destructive nature, comparing her to a “devil woman” who brings him nothing but misery. Yet, despite knowing the pain she causes, he remains hopelessly drawn to her, unable to break free from her spell. The lyrics are both poetic and evocative, expressing the complex emotions of love, obsession, and despair.

Performance History

“Devil Woman” became one of Marty Robbins’ most popular and enduring songs. It has been covered by numerous artists across various genres, demonstrating its lasting appeal and impact. Robbins himself performed the song countless times throughout his career, and it remains a staple in the repertoires of many country music artists today.

Cultural Impact

The song’s influence extends beyond the realm of country music. It has been featured in films, television shows, and commercials, solidifying its place in popular culture. “Devil Woman” also exemplifies the crossover potential of country music, demonstrating its ability to resonate with a broader audience.

Legacy

“Devil Woman” remains a powerful testament to Marty Robbins’ storytelling ability and his talent for crafting memorable melodies. Its exploration of love, obsession, and the destructive power of a femme fatale continues to resonate with audiences today, securing its place as a timeless classic in the country music canon.

Conclusion

“Devil Woman” is more than just a song; it’s a captivating story brought to life through Marty Robbins’ emotive vocals and masterful songwriting. Its haunting melody and poignant lyrics have transcended time, offering a powerful reflection on the complexities of love and human emotions. If you haven’t experienced the magic of “Devil Woman,” I highly recommend giving it a listen, and perhaps, like me, you’ll find yourself transported by its timeless allure.

Video

Lyrics

I told Mary about us
I told her about our great sin
Mary cried and forgave me
Then Mary took me back again
She said if I wanted my freedom
I could be free evermore
But I don’t want to be
And I don’t want to see Mary cry anymore
Oh, devil woman
Devil woman, let go of me
Devil woman, let me be
And leave me alone
I want to go home
Mary is waitin’ and weepin’
Down in our shack by the sea
Even after I’ve hurt her
Mary’s still in love with me
Devil woman it’s over
Trapped no more by your charms
‘Cause I don’t want to stay
I want to get away
Woman let go of my arm
Oh, devil woman
Devil woman, let go of me
Devil woman, let me be
And leave me alone
I want to go home
Devil woman, you’re evil
Like the dark coral reef
Like the winds that bring high tides
You bring sorrow and grief
You made me ashamed to face Mary
Barely had the strength to tell
Skies are not so black
Mary took me back
Mary has broken your spell
Oh, devil woman
Devil woman, let go of me
Devil woman, let me be
And leave me alone
I want to go home
Runnin’ along by the seashore
Runnin’ as fast as I can
Even the seagulls are happy
Glad I’m comin’ home again
Never again will I ever
Cause another tear to fall
Down the beach I see
What belongs to me
The one I want most of all
Oh, devil woman
Devil woman, don’t follow me
Devil woman let me be
And leave me alone
I’m goin’ back home

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AT 70, BILLY JOE SHAVER SHOT A MAN OUTSIDE A TEXAS BAR. THREE YEARS LATER, WILLIE NELSON SAT IN THE COURTROOM WHILE A JURY DECIDED IF HE WOULD GO TO PRISON. By 2007, Billy Joe Shaver had already lived the kind of life that made most outlaw songs sound tame. He had written much of Honky Tonk Heroes for Waylon Jennings. He had buried his wife, his mother, and his son. He had survived a heart attack onstage at Gruene Hall. He was nearly seventy, still playing Texas rooms, still carrying the same hard edge that had made people call him an outlaw even when he preferred another word. Then, on March 31, 2007, he went to Papa Joe’s Texas Saloon in Lorena. Outside the bar, Billy Joe got into an argument with a man named Billy Bryant Coker. Shaver said Coker threatened him with a knife. Witnesses described the confrontation differently. What nobody disputed was what happened next: Billy Joe pulled a .22 pistol and shot Coker in the face. Coker survived. Shaver turned himself in days later. He was charged with aggravated assault, a case that could have sent him to prison for as long as twenty years. The old songwriter who had spent a lifetime turning fights, failures, faith, and bad decisions into songs was suddenly standing inside a Texas courtroom with his own life reduced to testimony, photographs, and one question: had he acted in self-defense? The trial came in April 2010. Willie Nelson was there. Robert Duvall was there too. Duvall testified about Billy Joe’s character and told the jury he did not believe Shaver would have fired unless he thought his life was in danger. Willie sat through the proceedings as the case moved toward its verdict. Then the jury came back. Not guilty. Billy Joe walked out of the courthouse without prison waiting behind him. He was seventy years old when the shooting happened. He had spent three years carrying the charge. And after the verdict, he went back to doing what Billy Joe Shaver always did when life nearly broke open around him. He kept moving. Most singers spend their final years protecting the legend. Billy Joe Shaver spent his standing in a courtroom while two old friends watched a jury decide whether the road had finally caught him.

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