Country Music

Classic Country Music Hits

Terms and Conditions

THE AGREEMENT: The use of this website and services on this website provided by countrysongs.levie.com.vn (hereinafter referred to as “Website”) are subject to the following Terms & Conditions, all parts and sub-parts of which are specifically incorporated by reference here. This Agreement shall govern the use of all pages on this website (hereinafter collectively referred to as “Website”) and any services provided by or on this website (“Services”).

DEFINITIONS

“Agreement” denotes these Terms and Conditions and the Privacy Policy and other documents provided to you by the website.

“We,” “us,” and “our” are references to countrysongs.levie.com.vn

“User,” “You,” and “your” denotes the person who is accessing the website to take or avail of any service from us. User shall include the company, partnership, sole trader, person, body corporate, or association taking services of this website.

” Website” shall mean and include countrysongs.levie.com.vn and any successor Website of the Company or any of its affiliates.

Parties: Collectively, the parties to this Agreement (We and You) will be referred to as Parties.

ASSENT & ACCEPTANCE

PLEASE READ THESE TERMS OF USE, OUR PRIVACY POLICY, AND ALL APPLICABLE SUPPLEMENTAL TERMS (COLLECTIVELY, THE “TERMS”) CAREFULLY, AS THEY CONTAIN TERMS AND CONDITIONS THAT IMPACT YOUR RIGHTS, OBLIGATIONS, AND REMEDIES IN CONNECTION WITH YOUR USE OF THE SERVICES AND CONTENT. FOR EXAMPLE, THE TERMS INCLUDE:

  • YOUR OBLIGATION IS TO COMPLY WITH ALL APPLICABLE LAWS AND REGULATIONS.
  • LIMITATIONS OF OUR LIABILITY TO YOU; AND
  • A REQUIREMENT THAT YOU PURSUE CLAIMS OR SEEK RELIEF AGAINST US (INCLUDING MONETARY, INJUNCTIVE, AND DECLARATORY RELIEF) ON AN INDIVIDUAL BASIS RATHER THAN AS A PARTICIPANT IN ANY CLASS OR REPRESENTATIVE ACTION OR PROCEEDING.

YOUR ACCESS TO AND USE OF THE SERVICES ARE CONDITIONED ON YOUR ACCEPTANCE OF AND COMPLIANCE WITH ALL APPLICABLE TERMS. If you do not agree to these Terms or our Privacy Policy, then please cease using the Services immediately. We reserve the right to change these Terms at any time (see “Changes to these Terms” below.) By accessing, browsing, and/or using the Services after updates to these Terms have been posted, you agree to be bound by the updated Terms. THESE TERMS AND OUR PRIVACY POLICY CONSTITUTE A BINDING AGREEMENT BETWEEN YOU AND countrysongs.levie.com.vn

ACCURACY OF INFORMATION

Occasionally there may be information on the website that contains typographical errors, inaccuracies, or omissions that may relate to user descriptions, pricing, availability, promotions, and offers. We reserve the right, in our sole discretion, to make changes or modifications to these Terms and conditions at any time and for any reason. We undertake no obligation to update, amend or clarify information on the website, including, without limitation, pricing information, except as required by law. No specified update or refresh date applied on the website should be taken to indicate that all information on the Website or Services has been modified or updated. Please ensure that you check the applicable Terms every time you use our site so that you understand which Terms apply. You will be subject to and will be deemed to have been made aware of and to have accepted the changes in any revised Terms and conditions by your continued use of the site after the date such revised Terms and conditions are posted.

USER CONTENT

Content Responsibility.

The website permits you to share content, post comments, feedback, etc., but you are solely responsible for the content posted to you. You represent that you have required permission to use the content.

When posting content to the website, please do not post content that:

  • Contains ill-mannered, profane, abusive, racist, or hateful language or expressions, text, photographs, or illustrations that are pornographic or in poor taste, and inflammatory attacks of a personal, racial or religious nature.
  • It is defamatory, threatening, disparaging, grossly inflammatory, false, misleading, fraudulent, inaccurate, unfair, and contains exaggeration or unsubstantiated claims.
  • Violating the privacy rights of any third party is unreasonably harmful or offensive to any individual or community.
  • Discriminates on the grounds of race, religion, national origin, gender, age, marital status, sexual orientation, or disability or refers to such matters in any manner prohibited by law.
  • Violates or inappropriately encourages the violation of any municipal, state, federal, or international law, rule, regulation, or ordinance.
  • Uses or attempts to use another’s account, password, service, or system except as expressly permitted by the Terms of Use uploads or transmits viruses or other harmful, disruptive, or destructive files.
  • Sends repeated messages related to another user and/or makes derogatory or offensive comments about another individual or repeats prior posting of the same message under multiple emails or subjects.
  • Any submitted content that includes, but is not limited to, the following will be refused. If repeated violations occur, we reserve the right to cancel user access to the website without advanced notice.

ACCEPTABLE USE

You agree not to use the Website or Services for any unlawful purpose or any purpose prohibited under this clause. You agree not to use the Website or Services in any way that could damage the Website, Services, or general business of countrysongs.levie.com.vn

  • You further agree not to use the Website or Services:
  • To harass, abuse, or threaten others or otherwise violate any person’s legal rights.
  • To violate any of our intellectual property rights or any third party.
  • To upload or otherwise disseminate any computer viruses or other software that may damage the property of another.
  • To perpetrate any fraud.
  • To engage in or create any unlawful gambling, sweepstakes, or pyramid scheme.
  • To publish or distribute any obscene or defamatory material.
  • To publish or distribute any material that incites violence, hate, or discrimination towards any group.
  • To unlawfully gather information about others.

INTELLECTUAL PROPERTY

You agree that the Website and all Services provided by us are the property of countrysongs.levie.com.vn, including all copyrights, trademarks, trade secrets, patents, and other intellectual property (“Our IP”). You agree that we own all rights, title, and interest in and to the Our IP and that you will not use Our IP for any unlawful or infringing purpose. You agree not to reproduce or distribute Our IP in any way, including electronically or via registration of any new trademarks, trade names, service marks, or Uniform Resource Locators (URLs), without express written permission from us.

INDEMNIFICATION

To the maximum extent permitted by law, you agree to indemnify, defend and hold harmless countrysongs.levie.com.vn and its affiliates and/or related entities, whether direct or indirect, current, former or future, and its and their respective current, former, or future officers, directors, employees, agents, successors and assigns and related third parties (each an “Indemnified Party”), for any claims, causes of action, debts, damages, losses, costs, liabilities and expenses (including reasonable attorneys’ fees) relating to or arising out of any third-party claim that (a) your use of or inability to use the Services, (b) any user postings made by you, (c) your violation of any terms of this Agreement or your violation of any rights of a third party, or (d) your violation of any applicable laws, rules or regulations, except to the extent caused by any unlawful or negligent act or omission by countrysongs.levie.com.vn countrysongs.levie.com.vn reserves the right, at its own cost, to assume the exclusive defence and control of any matter otherwise subject to indemnification by you, in which event you will fully cooperate with countrysongs.levie.com.vn in asserting any available defences. An Indemnified Party may participate in the defence by counsel of its own choosing, at its own cost and expense. You shall not settle any claim that adversely affects an Indemnified Party or imposes any obligation or liability on an Indemnified Party without the Indemnified Party’s prior written consent.

EXCLUSION OF LIABILITY

You understand and agree that we (A) do not guarantee the accuracy, completeness, validity, or timeliness of information listed by us or any third parties, and (B) shall not be responsible for any materials posted by us or any third party. You shall use your judgment, caution, and common sense in evaluating any prospective methods or offers and any information provided by us or any third party.

Further, we shall not be liable for direct, indirect consequential, or any other form of loss or damage that may be suffered by a user using the countrysongs.levie.com.vn Website, including loss of data or information or any kind of financial or physical loss or damage.

In no event shall countrysongs.levie.com.vn, nor its Owner, directors, employees, partners, agents, suppliers, or affiliates, be accountable for any indirect, incidental, special, eventful, or exemplary costs, including without limitation, loss of proceeds, figures, usage, goodwill, or other intangible losses, consequential from (i) your use or access of or failure to access or use the service; (ii) any conduct or content of any third party on the service; (iii) any content attained from the service; and (iv) unlawful access, use or alteration of your transmissions or content, whether or not based on guarantee, Agreement, domestic wrong (including carelessness) or any other lawful concept, whether or not we’ve been aware of the possibility of such damage, and even if a cure set forth herein is originated to have futile of its important purpose.

MODIFICATION & VARIATION

We may, from time to time and at any time without notice to you, modify this Agreement. You agree that we have the right to modify this Agreement or revise anything contained herein. You further agree that all modifications to this Agreement are in full force and effect immediately upon posting on the website and that modifications or variations will replace any prior version of this Agreement unless prior versions are specifically referred to or incorporated into the latest modification or variation of this Agreement.

NO WARRANTIES

You agree that your use of the Website and Services is at your sole and exclusive risk and that any Services provided by us are on an “As Is” basis. We hereby expressly disclaim any express or implied warranties of any kind, including but not limited to the implied warranty of fitness for a particular purpose and the implied warranty of merchantability. We make no warranties that the Website or Services will meet your needs or that the Website or Services will be uninterrupted, error-free, or secure. We also make no warranties as to the reliability or accuracy of any information on the website or obtained through the Services. You agree that any damage that may occur to you through your computer system or because of the loss of your data from your use of the Website or Services is your sole responsibility and that we are not liable for any such damage or loss.

LIMITATION ON LIABILITY

We are not liable for any damages that may occur to you because of your use of the Website or Services to the fullest extent permitted by law. This section applies to any claims by you, including, but not limited to, lost profits or revenues, consequential or punitive damages, negligence, strict liability, fraud, or torts of any kind.

GOVERNING LAW AND JURISDICTION

This website originates from Morocco. The laws of Morocco. Without regard to its conflict of law, principles will govern these terms to the contrary. You hereby agree that all disputes arising out of or in connection with these terms shall be submitted to the exclusive jurisdiction of Morocco. By using this website, you consent to the jurisdiction and venue of such courts in connection with any action, suit, proceeding, or claim arising under or by reason of these terms. You hereby waive any right to trial by jury arising out of these terms.

SEVERABILITY

If any provision of these Terms and conditions is determined to be unlawful, void, or unenforceable, such provision shall nonetheless be enforceable to the fullest extent permitted by applicable law, and the unenforceable portion shall be deemed to be severed from these Terms and conditions, such determination shall not affect the validity and enforceability of any other remaining provisions.

CONTACTING US

If you would like to contact us to understand more about terms or wish to contact us concerning any matter, you may do so via the contact us or email us.

You Missed

Country Music

HE WAS ON THE ROAD, TALKING TO HIS WIFE, WHEN HE SAID THE WORDS THAT WOULD TURN INTO A SONG ABOUT A MAN DYING UNDER A BRIDGE. The road had become part of the job. Airports, buses, hotel rooms, soundchecks, another city before the last one had settled in his mind. He tried to reassure her the way people on the road often do. “This is temporary,” he told her. “I’m almost home.” The phrase stayed with him. Later, Morgan and songwriter Kerry Kurt Phillips built a different story around it. Not a road song. Not a love song. A song about a homeless man lying under a bridge, cold and tired, dreaming of a woman named Jenny and a place he can finally reach. “Almost Home” did not sound like a normal radio calculation. The man in the song was not drinking in a bar, driving a truck, or trying to get a girl back. He was dying. The final turn was quiet: the police officer finds him in the morning, but the man has already gone where he believed home really was. Morgan recorded it for his 2003 album I Love It. The song became his breakthrough. It reached the country Top 10, won BMI Song of the Year recognition, and introduced a different side of Craig Morgan to listeners. They knew the soldier. They knew the working-class singer. Now they heard him telling a story about someone most people passed without seeing. Years later, Jelly Roll told Morgan that “Almost Home” had helped him through jail. That may be the strangest part of the song’s life. It began with a husband on the road trying to reassure his wife. It became a dying man’s last dream. Then it reached people in places Craig Morgan could not have imagined when he first said the words into a phone.

Country Music

AT 70, BILLY JOE SHAVER SHOT A MAN OUTSIDE A TEXAS BAR. THREE YEARS LATER, WILLIE NELSON SAT IN THE COURTROOM WHILE A JURY DECIDED IF HE WOULD GO TO PRISON. By 2007, Billy Joe Shaver had already lived the kind of life that made most outlaw songs sound tame. He had written much of Honky Tonk Heroes for Waylon Jennings. He had buried his wife, his mother, and his son. He had survived a heart attack onstage at Gruene Hall. He was nearly seventy, still playing Texas rooms, still carrying the same hard edge that had made people call him an outlaw even when he preferred another word. Then, on March 31, 2007, he went to Papa Joe’s Texas Saloon in Lorena. Outside the bar, Billy Joe got into an argument with a man named Billy Bryant Coker. Shaver said Coker threatened him with a knife. Witnesses described the confrontation differently. What nobody disputed was what happened next: Billy Joe pulled a .22 pistol and shot Coker in the face. Coker survived. Shaver turned himself in days later. He was charged with aggravated assault, a case that could have sent him to prison for as long as twenty years. The old songwriter who had spent a lifetime turning fights, failures, faith, and bad decisions into songs was suddenly standing inside a Texas courtroom with his own life reduced to testimony, photographs, and one question: had he acted in self-defense? The trial came in April 2010. Willie Nelson was there. Robert Duvall was there too. Duvall testified about Billy Joe’s character and told the jury he did not believe Shaver would have fired unless he thought his life was in danger. Willie sat through the proceedings as the case moved toward its verdict. Then the jury came back. Not guilty. Billy Joe walked out of the courthouse without prison waiting behind him. He was seventy years old when the shooting happened. He had spent three years carrying the charge. And after the verdict, he went back to doing what Billy Joe Shaver always did when life nearly broke open around him. He kept moving. Most singers spend their final years protecting the legend. Billy Joe Shaver spent his standing in a courtroom while two old friends watched a jury decide whether the road had finally caught him.

Country Music

LORETTA LYNN TOLD HER LITTLE SISTER NOT TO SING LIKE HER. YEARS LATER, THE WHOLE WORLD KNEW CRYSTAL GAYLE BY A VOICE LORETTA COULD NEVER HAVE MADE. Crystal Gayle was born Brenda Gail Webb in Kentucky, nineteen years after Loretta Lynn. By the time Crystal was old enough to understand what country music could do, Loretta was already gone from home, married, raising children, and beginning the climb that would turn a coal miner’s daughter into one of the biggest names in Nashville. Crystal did not grow up sharing a bedroom with Loretta or standing beside her at the kitchen table. She grew up hearing what her sister had become. That kind of family name could open a door. It could also leave a younger singer trapped in the doorway. Loretta helped Crystal get her first record deal in 1970. At first, the records leaned toward the same hard country sound Loretta had made famous. But the comparison came fast. Every song was measured against the older sister. Every note sounded like it was being asked whether it belonged to Loretta’s world. Loretta gave her a simple warning. Do not sing my songs. Do not sing anything I would sing. Crystal listened. She left the old formula behind, signed with United Artists, and began working with producer Allen Reynolds. The sound changed. Softer. Smoother. More space around the voice. It still had country in it, but it carried itself differently — closer to late-night radio than a Saturday-night honky-tonk. Then came “Don’t It Make My Brown Eyes Blue.” Released in 1977, the song did not sound like Loretta Lynn. It did not need to. Crystal sang it with a calm that made the hurt feel almost private. No warning shot. No fist on the table. Just a woman looking at somebody she loved and realizing the leaving had already happened. The record went to No. 1 on the country chart. It crossed onto pop radio. It won Crystal a Grammy. Her album We Must Believe in Magic became the first by a female country artist to go platinum. And the long hair stayed. It fell nearly to the floor, becoming part of the image people remembered first. But the real escape had happened before the hair became famous. Crystal Gayle had kept the family name close enough to honor it. Then she built a sound no one could confuse with Loretta’s.

Country Music

IN ONE TWELVE-HOUR NASHVILLE SESSION, LINDA MARTELL RECORDED ELEVEN SONGS. WEEKS LATER, SHE BECAME THE FIRST BLACK WOMAN TO SING ON THE GRAND OLE OPRY. Before Nashville called her Linda Martell, she was Thelma Bynem from South Carolina. She had grown up singing gospel. Later she sang R&B in clubs around the Carolinas, working small rooms where the crowd knew soul music better than steel guitar. But she also loved country songs. She sang them at an Air Force base one night, and a furniture-store owner named William Rayner heard something he had not expected to hear. A Black woman singing country music with no apology in her voice. Rayner brought her to Nashville in May 1969. On May 15, she signed a management agreement. The next day, Shelby Singleton signed her to Plantation Records. Then they put her in the studio. Linda recorded eleven songs in one twelve-hour session. One of them was “Color Him Father,” a recent soul hit by the Winstons. Singleton wanted her to make it country. On the first take, he told her he did not want to hear the original record. He wanted to hear her. The single came out in July. By September, it had reached No. 22 on the country chart. Radio stations that had never seen Linda Martell were playing her voice between the records of Tammy Wynette, Lynn Anderson, and Jeannie C. Riley. Then she walked onto the Grand Ole Opry stage. In August 1969, Linda Martell became the first Black woman to perform there. She would appear on the Opry twelve times. She sang on Hee Haw. She released Color Me Country in 1970. For a moment, it looked as if country music had made room for a new kind of star. But the room was never as open as it looked. Linda faced racial abuse from audiences, resistance inside the business, and a label whose name itself carried the weight of the South she had grown up in. Her records stopped getting the support they needed. By the mid-1970s, she had left Nashville and gone back home to South Carolina, where she worked outside the music business for decades. Then, in 2024, Beyoncé brought Linda Martell’s voice onto Cowboy Carter. More than fifty years after Nashville gave her one fast chance, the woman who had recorded eleven songs in a single day was heard again by millions of people. The first record had been called “Color Him Father.” This time, country music had to remember her name.