“Scroll down to the end of the article to listen to music.”
Introduction

There’s something about the way a song can reach into your soul, pull at the deepest emotions, and leave you feeling understood. My Heart Knows is one of those songs—a tender, heartfelt reminder that love, once truly felt, never really fades. It’s a melody wrapped in nostalgia, carried by lyrics that speak to the kind of love that lingers even when the world insists on moving forward.

The beauty of My Heart Knows lies in its simplicity. It doesn’t need elaborate storytelling or grand gestures to hit home—it’s all about that quiet, undeniable truth we all recognize. Whether it’s about missing someone, holding onto a love that once was, or simply trusting that the heart never forgets what it truly cherishes, this song speaks to anyone who’s ever loved deeply.

The melody, soft and aching, carries a sense of longing that’s impossible to ignore. It’s the kind of song that makes you close your eyes and let the music do the talking. Maybe it brings back a lost love, a moment you wish you could relive, or even the bittersweet reality of knowing that some things are never truly over.

At its core, My Heart Knows is about trust—not just in another person, but in the emotions that make us who we are. The heart has its own way of remembering, holding onto what matters, and whispering the truths we sometimes try to ignore. And in a world that often tells us to move on, sometimes, it’s comforting to know that the heart still remembers.

So, if you’ve ever felt the weight of an unshaken love, if you’ve ever closed your eyes and heard the echoes of a memory, then My Heart Knows is for you. Because no matter where life takes us, the heart always knows.

Video

Lyrics

You keep saying you love me and I know it’s not true
You just don’t want to hurt me I respect that in you
You’re in love with another and you won’t let it show
Oh I hate to admit it but it’s sure my heart knows
I thought I’d won when he lost you I thought you’d forget
But there’s still one old mem’ry that you haven’t lost yet
I know I’d die when I lose you I know I won’t let you go
For you’d never be happy this is true my heart knows
[ steel ]
So goodbye and God bless you I’m setting you free
Just to know you’d be happy means so much to me
I know I’d die when I lose you I know I must let you go
For you’ll never be happy this is true my heart knows

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HE WAS ON THE ROAD, TALKING TO HIS WIFE, WHEN HE SAID THE WORDS THAT WOULD TURN INTO A SONG ABOUT A MAN DYING UNDER A BRIDGE. The road had become part of the job. Airports, buses, hotel rooms, soundchecks, another city before the last one had settled in his mind. He tried to reassure her the way people on the road often do. “This is temporary,” he told her. “I’m almost home.” The phrase stayed with him. Later, Morgan and songwriter Kerry Kurt Phillips built a different story around it. Not a road song. Not a love song. A song about a homeless man lying under a bridge, cold and tired, dreaming of a woman named Jenny and a place he can finally reach. “Almost Home” did not sound like a normal radio calculation. The man in the song was not drinking in a bar, driving a truck, or trying to get a girl back. He was dying. The final turn was quiet: the police officer finds him in the morning, but the man has already gone where he believed home really was. Morgan recorded it for his 2003 album I Love It. The song became his breakthrough. It reached the country Top 10, won BMI Song of the Year recognition, and introduced a different side of Craig Morgan to listeners. They knew the soldier. They knew the working-class singer. Now they heard him telling a story about someone most people passed without seeing. Years later, Jelly Roll told Morgan that “Almost Home” had helped him through jail. That may be the strangest part of the song’s life. It began with a husband on the road trying to reassure his wife. It became a dying man’s last dream. Then it reached people in places Craig Morgan could not have imagined when he first said the words into a phone.

AT 70, BILLY JOE SHAVER SHOT A MAN OUTSIDE A TEXAS BAR. THREE YEARS LATER, WILLIE NELSON SAT IN THE COURTROOM WHILE A JURY DECIDED IF HE WOULD GO TO PRISON. By 2007, Billy Joe Shaver had already lived the kind of life that made most outlaw songs sound tame. He had written much of Honky Tonk Heroes for Waylon Jennings. He had buried his wife, his mother, and his son. He had survived a heart attack onstage at Gruene Hall. He was nearly seventy, still playing Texas rooms, still carrying the same hard edge that had made people call him an outlaw even when he preferred another word. Then, on March 31, 2007, he went to Papa Joe’s Texas Saloon in Lorena. Outside the bar, Billy Joe got into an argument with a man named Billy Bryant Coker. Shaver said Coker threatened him with a knife. Witnesses described the confrontation differently. What nobody disputed was what happened next: Billy Joe pulled a .22 pistol and shot Coker in the face. Coker survived. Shaver turned himself in days later. He was charged with aggravated assault, a case that could have sent him to prison for as long as twenty years. The old songwriter who had spent a lifetime turning fights, failures, faith, and bad decisions into songs was suddenly standing inside a Texas courtroom with his own life reduced to testimony, photographs, and one question: had he acted in self-defense? The trial came in April 2010. Willie Nelson was there. Robert Duvall was there too. Duvall testified about Billy Joe’s character and told the jury he did not believe Shaver would have fired unless he thought his life was in danger. Willie sat through the proceedings as the case moved toward its verdict. Then the jury came back. Not guilty. Billy Joe walked out of the courthouse without prison waiting behind him. He was seventy years old when the shooting happened. He had spent three years carrying the charge. And after the verdict, he went back to doing what Billy Joe Shaver always did when life nearly broke open around him. He kept moving. Most singers spend their final years protecting the legend. Billy Joe Shaver spent his standing in a courtroom while two old friends watched a jury decide whether the road had finally caught him.

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