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Introduction

You know that feeling when a song just hits you right in the heart? That’s exactly what happened the first time I heard “Noah Found Grace in the Eyes of the Lord.” It’s like the song took an age-old story and breathed new life into it, making it feel incredibly personal and relevant.

What really draws me in is how it paints Noah not just as a distant biblical figure, but as someone we can all relate to. Imagine being told to build an ark because a flood is coming, while everyone around you thinks you’ve lost it. Yet, despite the skepticism and the enormity of the task, Noah pushes forward because he believes in something bigger than himself. The song captures that blend of doubt and faith so beautifully.

The melody itself carries this uplifting vibe that makes you want to tap your feet, but it’s the lyrics that really get you thinking. They delve into themes of grace, redemption, and perseverance. Every time I listen, I find myself reflecting on the “floods” in my own life and how I’ve managed to stay afloat.

What’s also fascinating is how different artists bring their own flair to the song. Whether it’s a soulful rendition or a more upbeat take, each version adds a new layer of meaning. It’s like the song evolves but still holds onto that core message of finding grace when you least expect it.

Have you ever noticed how some songs just stick with you, offering a new insight each time you listen? “Noah Found Grace in the Eyes of the Lord” is definitely one of those. It’s more than just a catchy tune; it’s a reminder that even when the odds are stacked against us, there’s hope to be found.

So next time you’re looking for a song that’s both inspiring and thought-provoking, give this one a listen. Who knows? You might just find a bit of grace yourself

Video

Lyrics

Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord
That is the reason the Scriptures record
Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord

Well the Lord looked down from His window in the sky and said
I created man but I don’t remember why
Nothin’ but fightin’ since creation day
I’ll send a little water and I’ll wash’em all away

So the Lord came down to look around a spell
And there He found Noah behavin’ mighty well
And that is the reason the Scriptures record
Noah found grace in the eyes of the Lord

Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord
That is the reason the Scriptures record
Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord

The Lord said Noah there’s gonna’ be a flood
And there’s gonna be some water and there’s gonna be some mud
Take off your hat Noah and take off your coat
Get Ham, Shem and Japath, and build yourself a boat

Noah said Lord I don’t believe I could
The lord said Noah get some sturdy gopher wood
Ya never know what you can do till you try
Build it 50 cubits wide and 30 cubits high

Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord
That is the reason the Scriptures record
Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord

Noah said there it is, there it is Lord
The Lord said Noah it’s time to get aboard
Now take a creature a he and a she
And of course Mrs. Noah and the whole family

Noah said Lord it’s gettin’ mighty dark
The Lord said Noah get these creatures in the ark
Noah said Lord it’s beginin’ to pour
The Lord said Noah hurry up and shut the door

Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord
That is the reason the Scriptures record
Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord
Well the ark rose up on the foot of the deep
And after 40 days Mr.Noah took a peek said
We ain’t movin’ Lord where are we at
The Lord said you’re sittin’ on a mountain Ararat

Noah said Lord it’s gettin’ mighty dry
The Lord said Noah see My rainbow in the sky
Take all the creatures and people to earth
And don’t be more trouble than you’re worth

Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord
Noah found grace in the eyes of the Lord
And he landed high and dry
And he landed high and dry
And he landed high and dry

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Dolly Parton was preparing to hear Elvis Presley record one of her songs when a phone call from his manager changed everything. Colonel Tom Parker told her that Elvis wanted “I Will Always Love You,” but there was one condition: Dolly would have to give up half of the song’s publishing rights. For Dolly, the decision was painful because Elvis was one of the biggest stars in the world and she desperately wanted to hear him sing something she had written. She later remembered crying all night after turning the deal down, but she had spent years learning that her songs were not simply recordings; they were property she might need for the rest of her life. The song had originally been written as Dolly’s farewell to Porter Wagoner when she decided to leave his television show and pursue her solo career. Her own version reached No. 1 on the country chart in 1974, and she recorded it again years later for *The Best Little Whorehouse in Texas*, taking it back to No. 1 a second time. Nearly two decades after she refused Elvis, Whitney Houston recorded “I Will Always Love You” for *The Bodyguard*. The version became one of the biggest-selling singles of the era and turned the publishing rights Dolly had refused to surrender into one of the most valuable pieces of her songwriting catalog. Dolly later said she still wished she could have heard Elvis sing the song, but she never regretted protecting what she had written. One painful “no” had preserved a song that would continue paying her long after the recording session she walked away from. Would you have given Elvis half the publishing rights just to hear him sing it?

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A hospital bill arrived at Willie Nelson’s house in 1969 with the name “Mrs. Connie Nelson” on it and charges connected to the birth of a baby girl. The problem was that Willie’s wife was Shirley Collie, and she had never heard of Connie. The baby was Paula Carlene, Willie’s daughter with Connie Koepke, a woman he had been seeing for several years while still married. Willie later admitted that Shirley confronted him after finding the bill and that there was no convincing explanation left to give. His daughter Lana remembered the moment just as sharply: Shirley had not known there was another woman, and Lana had not known there was another baby. The marriage ended in 1971, and Willie married Connie that same year. She later became the mother of another daughter, Amy, while also helping absorb Willie’s older children into a family that had been assembled through divorces, affairs and constant touring. Paula later said the transition had been hard on her older half-siblings, but that Willie eventually made a deliberate effort to keep all of his children connected. That private upheaval happened just as Willie’s public identity was being rebuilt. His second marriage was over, his Tennessee house burned in 1970, and he moved back to Texas, where the looser Austin scene helped give birth to the version of Willie Nelson that would define outlaw country in the 1970s. Within a few years came *Shotgun Willie*, *Red Headed Stranger*, the Fourth of July Picnics and the national outlaw movement. The contradiction is hard to miss. Willie’s music increasingly celebrated freedom, independence and refusing to live by someone else’s rules, while his family was dealing with the cost of exactly that kind of freedom at home. Years later, Willie stopped trying to excuse the damage. He acknowledged that Martha, Shirley and Connie had all been hurt by the way he lived, even as the children from those relationships eventually became the large family he now regularly brought together on records and stages.

Dolly Parton was preparing to hear Elvis Presley record one of her songs when a phone call from his manager changed everything. Colonel Tom Parker told her that Elvis wanted “I Will Always Love You,” but there was one condition: Dolly would have to give up half of the song’s publishing rights. For Dolly, the decision was painful because Elvis was one of the biggest stars in the world and she desperately wanted to hear him sing something she had written. She later remembered crying all night after turning the deal down, but she had spent years learning that her songs were not simply recordings; they were property she might need for the rest of her life. The song had originally been written as Dolly’s farewell to Porter Wagoner when she decided to leave his television show and pursue her solo career. Her own version reached No. 1 on the country chart in 1974, and she recorded it again years later for *The Best Little Whorehouse in Texas*, taking it back to No. 1 a second time. Nearly two decades after she refused Elvis, Whitney Houston recorded “I Will Always Love You” for *The Bodyguard*. The version became one of the biggest-selling singles of the era and turned the publishing rights Dolly had refused to surrender into one of the most valuable pieces of her songwriting catalog. Dolly later said she still wished she could have heard Elvis sing the song, but she never regretted protecting what she had written. One painful “no” had preserved a song that would continue paying her long after the recording session she walked away from. Would you have given Elvis half the publishing rights just to hear him sing it?

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